Cross-cultural Camera: How Photography Helped Bridge East and West – American Museum of Photography Online Exhibition
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Gallery Two: Japonisme The distinctive characteristics of Japanese design influenced the decorative arts and fine arts of the West. Tiffany made elaborate silver services in the Japanese style and European painters like Monet and Van Gogh were inspired by Japan’s famous colored wood-block prints. By 1876, the French art critic Philippe Burty came up with a name for it: japonisme. Gilbert & Sullivan’s celebrated comic opera The Mikado, which opened in both London and New York during 1885, intensified the fever for all things Japanese. With more Japanese goods, from fans to kimonos, available in Western shops The Mikado may have been the impetus for a rash of exotic studio portraits in which Americans pose as Japanese. In Japan itself, an item or two of Western clothing– a bowler hat or an umbrella — occasionally appears in photographic portraits of this time. |
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Unidentified Photographer (U.S.) Tintype, circa 1885 Approximately 3.5 x 2.25 inches |
Bertherman Studio (Providence, Rhode Island) American Girl in Japanese Costume Gelatine-silver Cabinet Card, circa 1895 Image size 5.5 x 4 inches |
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Bradley Studio (Ft. Collins, Colorado) Gelatine-silver print circa 1895 5.5 x 4 inches |
Catharine Weed Barnes (U.S., 1851-1913) Photogravure, 1890 9.5 x 7.5 inches |
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G. W. Horton (Beaver Dam and Horicon, Wisconsin) Six Young Men Posing As Japanese Women Albumen print cabinet card, circa 1886 |
Bradley & Rulofson (San Francisco) Albumen print cabinet card, 1886 image size 5-5/8 x 4 inches |
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Unidentified Photographer (U.S.): Tintype, circa 1885 Approximately 3.5 x 2.25 inches |
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Japan Photographic Association, Yokohama ( Baron Raimund Von Stillfried and Hermann Andersen) Japanese Gentleman in Western Garb tinted albumen print, 1875-8 |
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